Author Archives: Peter Feldmann

About Peter Feldmann

Peter Feldmann has long been a musical mainstay in Santa Barbara and Southern California. Besides actively performing bluegrass and old time music with a variety of groups, Peter is also known as a bluegrass historian, collector, music consultant, teacher, and producer, both of live concerts and radio/tv programs throughout the area. His music has been heard in clubs, concerts, saloons, universities, pre-schools, at weddings, wakes, parties, barn-raisings, calf-ropings, rodeos, auctions, fund raisers, wine tastings and chili cook offs.

Peter founded Santa Barbara’s Old Time Fiddler’s Convention (1972), UCSB’s Old Time Music Front (1964), and The Bluebird Cafe (1971). Through these and other outlets, he was the first to bring many prominent folk, blues, and bluegrass artists, including Bill Monroe, Mance Lipscomb, The Stanley Brothers, The New Lost City Ramblers, Fred McDowell, Furry Lewis, Rose Maddox, the Balfa Brothers, and many others to the Santa Barbara area. Peter also helped others access the music by teaching privately, and in group classes for Santa Barbara Continuing Education, UCSB Extension, and McCabes Guitars. He was the first on the West Coast to produce and market instruction Lps – three on How To Play Country Fiddle, and one each on Clawhammer Banjo, and Maybelle Carter Style Guitar. He still presents lectures on country music history at UCSB, Santa Barbara area libraries, and for various interest groups, festival workshops, etc. In 2006, he presented his monograph titled “The Big bang Of Bluegrass Music” (describing the origins of bluegrass 1938 – 1946) to the worlds first International Music Symposium at the University of Kentucky at Bowling Green. He has also been very active in radio, television, and film work, producing weekly shows on country and bluegrass music over a 21 year period on various commercial and public stations. Peter currently maintains three music-related websites, a music blog, and an entertainment service company, “BlueGrass West!”, based in the Santa Ynez Valley in Southern California.

Peter performs tunes and songs from the heart of America’s musical treasure chest. His shows can include fiddle, guitar, banjo, and mandolin. Well-known as a historian and teacher, Peter is first and foremost an entertainer, sharing his respect, energy and love for the music with his fellow musicians, friends, and audiences.

Bluegrass: Country Soul

1971 was a banner year for bluegrass music. It had come of age the decade before, following its invention as a musical style by Bill Monroe in the mid-1940s. Little known, except by country music fans for its first twenty … Continue reading

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The Lilly Brothers and Don Stover: Little Annie

What got me excited was Don’s “tag” or ending of his banjo break. It’s four beats of pure delight, sort of going off sideways like a plot twist in an Alfred Hitchcock film! Continue reading

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Earl Johnson, a Wild Georgia Fiddler

Earl was a Georgia, short-bow fiddler with a brisk attack, highlighted by upward slides in the melody that pushed his tunes forward impressively. Mississippi Sawyer (a descriptive term for a river snag, long-used by steamboat pilots) was very popular in … Continue reading

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The Origins of Bluegrass Music

I think Bill Monroe might have hired Stringbean more as a comedian to break the ice than for his banjo picking. Either that or because he was a good shortstop! Many early bluegrass bands had at least one member who did the rube comic act . . . a relic from minstrel and medicine show times. Continue reading

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The Fiddling Seventies – Southern California

There was not as much concern about drawing a tine between bluegrass and country and old timey fiddling. In addition to traditional tunes Bobby Fenton would play Bob Wills and country songs. Speedy Smith and Harold Hensley would play really fast bluegrass barnburner style. Bob Rogers would play Kenny Baker tunes. Roscoe White would play everything from swing to Howdy Forrester tunes. IT FELT LIKE FREEDOM. IT WAS NEVER BORING. There were soooo many good fiddlers in one place and at that time I thought that was normal, but now I know it was very rare. Continue reading

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