Author Archives: Peter Feldmann

About Peter Feldmann

Peter Feldmann has long been a musical mainstay in Santa Barbara and Southern California. Besides actively performing bluegrass and old time music with a variety of groups, Peter is also known as a bluegrass historian, collector, music consultant, teacher, and producer, both of live concerts and radio/tv programs throughout the area. His music has been heard in clubs, concerts, saloons, universities, pre-schools, at weddings, wakes, parties, barn-raisings, calf-ropings, rodeos, auctions, fund raisers, wine tastings and chili cook offs. Peter founded Santa Barbara's Old Time Fiddler's Convention (1972), UCSB's Old Time Music Front (1964), and The Bluebird Cafe (1971). Through these and other outlets, he was the first to bring many prominent folk, blues, and bluegrass artists, including Bill Monroe, Mance Lipscomb, The Stanley Brothers, The New Lost City Ramblers, Fred McDowell, Furry Lewis, Rose Maddox, the Balfa Brothers, and many others to the Santa Barbara area. Peter also helped others access the music by teaching privately, and in group classes for Santa Barbara Continuing Education, UCSB Extension, and McCabes Guitars. He was the first on the West Coast to produce and market instruction Lps - three on How To Play Country Fiddle, and one each on Clawhammer Banjo, and Maybelle Carter Style Guitar. He still presents lectures on country music history at UCSB, Santa Barbara area libraries, and for various interest groups, festival workshops, etc. In 2006, he presented his monograph titled "The Big bang Of Bluegrass Music" (describing the origins of bluegrass 1938 - 1946) to the worlds first International Music Symposium at the University of Kentucky at Bowling Green. He has also been very active in radio, television, and film work, producing weekly shows on country and bluegrass music over a 21 year period on various commercial and public stations. Peter currently maintains three music-related websites, a music blog, and an entertainment service company, "BlueGrass West!", based in the Santa Ynez Valley in Southern California. Peter performs tunes and songs from the heart of America's musical treasure chest. His shows can include fiddle, guitar, banjo, and mandolin. Well-known as a historian and teacher, Peter is first and foremost an entertainer, sharing his respect, energy and love for the music with his fellow musicians, friends, and audiences.

The Sixties in Folk Music / 7. Howard Pelky

Howard Pelky
Times Were Good…
Foreword
I am convinced that I would never have accomplished the degree of musical ability that I have, whatever that may be, if not for the support and encouragement of my mother, Syble, all through my school years. … Continue reading

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The Sixties in Folk Music / 6. John Thomas

John Thomas
Music—A Lifelong Love Affair
The first sounds I can remember hearing were music. My dad had been lighting director and stage technician for the Brooklyn Opera Company, and his Victrola never stopped playing classical music and operas on those big … Continue reading

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The Sixties in Folk Music / 5. Phil Earl

Phil Earl
Math Major Plays in Folk Group,
Parents Not Amused
I started college in 1956 at the new campus of the University of California at Santa Barbara [they had just moved to their site next to the Santa Barbara Airport -PF] . … Continue reading

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The Sixties in Folk Music / 4. Dan Barrows

DAN BARROWS
Musings of the Iopan and Other Things
Pre-Iopan. In 1958, I was directing TV at a small television station in Zanesville, Ohio. One day, members of a touring religious drama company called “The Bishop’s Company” (hereafter sometimes called “the Company”) … Continue reading

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The Sixties in Folk Music / 3. Bill Berner

Bill Berner
by Marilyn Berner
Bill Berner was born in Buffalo, New York, to immigrant parents William and Apolonia, in March 1934. His father was from Stuttgart, Germany, and his mother was a native of Poland. This is an unverified story that … Continue reading

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