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{"id":36,"date":"2008-02-03T14:57:45","date_gmt":"2008-02-03T22:57:45","guid":{"rendered":"http:\/\/bluegrasswest.com\/wordpress\/?p=36"},"modified":"2008-02-03T14:57:45","modified_gmt":"2008-02-03T22:57:45","slug":"stringbeans-and-the-banjo-in-bluegrass","status":"publish","type":"post","link":"https:\/\/bluegrasswest.com\/wordpress\/stringbeans-and-the-banjo-in-bluegrass\/","title":{"rendered":"&#8220;Stringbeans&#8221; and the banjo in bluegrass"},"content":{"rendered":"<p>There&#8217;s been some discussion lately on <a HREF=\"http:\/\/lsv.uky.edu\/archives\/bgrass-l.html\">BGRASS-L<\/a> (a list mailer re. bluegrass music) about &#8220;Stringbean&#8221;, his association with Bill Monroe and the Blue Grass Boys, and his banjo style.<\/p>\n<p>Stringbean&#8217;s real name was David Akeman. Bill Monroe called him &#8220;Stringbeans&#8221;. It&#8217;s true that\u00a0&#8220;String&#8221; was Monroe&#8217;s first banjo player. It&#8217;s also true that he played banjo\u00a0in\u00a0clawhammer style, but NOT while he was a Blue Grass Boy.<\/p>\n<p>While he was with Monroe, String played a two-finger, thumb-lead picking style. Did Monroe\u00a0 tell him to do that? \u00a0. . . Nobody knows.\u00a0\u00a0 Perhaps it was felt that that style fit in a\u00a0little better than clawhammer style, though other bluegrass bands (including some of mine)\u00a0have used clawhammer banjo to good effect. I love the sound of two banjos, combining\u00a0Scruggs-style with clawhammer playing.<\/p>\n<p>At any rate, the only time String recorded while not playing clawhammer style was with\u00a0Monroe in the mid-40s. \u00a0An interesting situation. \u00a0The last time I had a chance to talk with Bill Monroe, he mentioned &#8220;Stringbeans&#8221;.\u00a0 I really wanted to follow up on that subject and the banjo, but Bill knew I had been a botanist (non-practicing) and kept asking questions\u00a0about growing pear trees, which he told me he had planted in Goodletsville.<\/p>\n<p>I do know I have in my possesion a &#8220;Sensational Collection of Mountain ballads and Old Time\u00a0Songs&#8221; by Walter Peterson, &#8220;The Kentucky Wonder Bean&#8221;. <img data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/www.bluegrasswest.com\/images\/KY_WonderBean.jpg?resize=360%2C496\" ALT=\"Walter Peterson - songbook\" BORDER=\"1\" width=\"360\" height=\"496\" ALIGN=\"right\" \/><br \/>\nCopyright 1931, so my\u00a0guess is that preceeds Akeman&#8217;s stage name. There is a very serious-looking photo of\u00a0Mr. Peterson on the cover, holding a slothead guitar with a very heavy-duty clamp for a\u00a0harmonica affixed. Bob Dylan, eat your heart out!<\/p>\n<p>I also know that, while I hated string beans as a kid, I love &#8217;em now, and that in Kentucky,\u00a0they used to hang &#8217;em out to dry on a string. When they dried, they turned brown\u00a0and split in half lengthwise &#8211; making &#8220;leather britches&#8221;.<\/p>\n<p>. . . But that&#8217;s another story.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s been some discussion lately on BGRASS-L (a list mailer re. bluegrass music) about &#8220;Stringbean&#8221;, his association with Bill Monroe and the Blue Grass Boys, and his banjo style. Stringbean&#8217;s real name was David Akeman. Bill Monroe called him &#8220;Stringbeans&#8221;. &hellip; <a href=\"https:\/\/bluegrasswest.com\/wordpress\/stringbeans-and-the-banjo-in-bluegrass\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"enabled":false},"version":2}},"categories":[5],"tags":[],"class_list":["post-36","post","type-post","status-publish","format-standard","hentry","category-general"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/poY5E-A","jetpack-related-posts":[],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/posts\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/comments?post=36"}],"version-history":[{"count":0,"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/posts\/36\/revisions"}],"wp:attachment":[{"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/media?parent=36"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/categories?post=36"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bluegrasswest.com\/wordpress\/wp-json\/wp\/v2\/tags?post=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}