Yesterday, March 6th, was banjoist Don Stover’s birthday. I wanted to share one of my favorite recordings of his, made with The Lilly Brothers, Everett and Bea. The song is from the romantic period of the late nineteenth century, and was first recorded by county music patriarch Earnest Stoneman with autoharp. He did it in archaic-sounding 4/4 time. It was charming enough, but here we have it in all its 2/4 glory!
If I were to be asked to describe Don’s picking, I’d call it some of the cleanest and most inventive I have heard. “It sparkles!” The instrumentals feature both Don’s banjo and Everett’s mandolin picking. Both have great drive. Since Everett is singing, he doesn’t do much instrumental fill during the verses, but Don more than makes up for it, including some nice harmonics (what country pickers call “chimes”) during the third verse. What got me excited was Don’s “tag” or ending of his banjo break. It’s four beats of pure delight, sort of going off sideways like a plot twist in an Alfred Hitchcock film! Don also adds a great tag to Everett’s mandolin break. Combined with the fine singing and harmony work, this cut is just plain fun to listen to.
If I’m not mistaken, the record was first released as a 78, [per Jim Beaver, they were 45s, not 78s] but I heard it on one of Dave Freeman’s Lps from County/Rebel Records.
I don’t believe there was ever a 78 of the Lilly Brothers and Don Stover Event recordings. I’ve heard speculation about that in the past, so several years back I went to the source, Mr. Al Hawkes who just passed away last December 2018, and he confirmed only four sides were released (originally) on 45. Since then the entire Event sessions have been purchased by Rebel and all have been released on LP and CD. Al lamented to me that he wished he had recorded more of them.
Jim, Thanks for this. I personally have never seen a Lilly Bros. 78, but someone mentioned it. I’ll take them on 78s, 453, 33 1/3 and any other disc! Love their music!
Best,
-Peter
The Lilly Brothers had a 78 RPM released by Page Records in 1949, a few years before teaming up with the great Don Stover for a 17-year stint in Boston- mostly at the Hillbilly Ranch. As they were leaving West Virginia they were being pursued by King Records and would have likely had more recordings in the early and mid-1950s had a recording studio was present in Boston. Thankfully, Al Hawkes recordings reveal what could have been if this band had been in a studio on a regular schedule like the other wonderful pioneering bands such as the Stanley Brothers.
Mike,
Thanks for the comment. I completely agree with you on the quality of this band. My first exposure to them was with my friend Mike Seeger’s recordings, released on Folkways in the 1960s. I have greatly enjoyed all their records I have been able to find, and am happy to have performed a couple of times with Everett Lilly, Jr. who lives relatively nearby.