Washington Post discovers recording musicians

One of the nation’s leading newspapers has broken the news today that certain musicians have actually built their own recording studios in their basements (as a southern Californian, I have not much experience with basements, but was told by my grandmother that they do indeed exist).

Apparently, the idea that a musician might want to record himself is a new one to D.C. residents, who assume, I suppose, that Capitol Sony, or EMI will call them in for a session as soon as they get their latest hit worked out. Self-recording turns out to be not really that new to me and my West Coast friends, many of whom have their own studios or at least recording gear. Computers have been miniaturized and in other ways have made the process easier (at least on the surface) compared to earlier days.

I remember my father buying a home recording outfit around 1949 that included a disc recorder with a built-in AM radio. The discs were thin aluminum, covered with a layer of black lacquer acetate which the heated recording stylus cut into to make the actual record. The disc had two holes; one in the center for the spindle, and one offset an inch or so to help lock the disc in place on the turntable to avoid skipping from the stylus pressure point while recording. Another thing, you cut the disc (literally!) from the inside out., This kept the tailings from the cut lacquer from fouling the cutting stylus. The ones used to produce commercial discs have a little vacuum next to the needle to suck up the threads – so they can be cut from the outside in, but the home models did cut a few corners. Of course, those aluminum discs were rather fragile and tended to get scuffed up and lost. Wish I could hear them again now…

My first recorder (in ’61) was a Roberts 7-inch reel-to-reel mono recorder which was a Japanese copy of the Ampex 601. It was big, very heavy, but made decent recordings. Now, of course, the tapes on which the recordings were made are in various stages of decay.

About Peter Feldmann

Peter Feldmann has long been a musical mainstay in Santa Barbara and Southern California. Besides actively performing bluegrass and old time music with a variety of groups, Peter is also known as a bluegrass historian, collector, music consultant, teacher, and producer, both of live concerts and radio/tv programs throughout the area. His music has been heard in clubs, concerts, saloons, universities, pre-schools, at weddings, wakes, parties, barn-raisings, calf-ropings, rodeos, auctions, fund raisers, wine tastings and chili cook offs. Peter founded Santa Barbara's Old Time Fiddler's Convention (1972), UCSB's Old Time Music Front (1964), and The Bluebird Cafe (1971). Through these and other outlets, he was the first to bring many prominent folk, blues, and bluegrass artists, including Bill Monroe, Mance Lipscomb, The Stanley Brothers, The New Lost City Ramblers, Fred McDowell, Furry Lewis, Rose Maddox, the Balfa Brothers, and many others to the Santa Barbara area. Peter also helped others access the music by teaching privately, and in group classes for Santa Barbara Continuing Education, UCSB Extension, and McCabes Guitars. He was the first on the West Coast to produce and market instruction Lps - three on How To Play Country Fiddle, and one each on Clawhammer Banjo, and Maybelle Carter Style Guitar. He still presents lectures on country music history at UCSB, Santa Barbara area libraries, and for various interest groups, festival workshops, etc. In 2006, he presented his monograph titled "The Big bang Of Bluegrass Music" (describing the origins of bluegrass 1938 - 1946) to the worlds first International Music Symposium at the University of Kentucky at Bowling Green. He has also been very active in radio, television, and film work, producing weekly shows on country and bluegrass music over a 21 year period on various commercial and public stations. Peter currently maintains three music-related websites, a music blog, and an entertainment service company, "BlueGrass West!", based in the Santa Ynez Valley in Southern California. Peter performs tunes and songs from the heart of America's musical treasure chest. His shows can include fiddle, guitar, banjo, and mandolin. Well-known as a historian and teacher, Peter is first and foremost an entertainer, sharing his respect, energy and love for the music with his fellow musicians, friends, and audiences.
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One Response to Washington Post discovers recording musicians

  1. Digital recording is still in its infancy (as compared to the good old analog days…), but there have already been several permutations on the theme. I still own a Panasonic DAT machine (not portable), though I haven’t used it for several years. Then there’s recording direct to hard drive, the minidisc machines, and now, with the ever-dimishing proice of solid state memory, machines like the “Edirol R-09”, which record direct to RAM and transfer the results to a computer using a USB port.

    For a link to that device, try this link: [ http://www.edirol.net/products/en/R-09/ ].

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