Whiskey Flat – Jam Session 1965

Twin Fiddling

Del Baker and Dean Trammel, twin fiddles; Art Chambers, banjo Peter Feldmann photo


I drove up to Kernville (Lake Isabella CA) in February, 1965 to record a fiddle contest promoted by the local Chamber of Commerce. The event, held as part of Whiskey Flat Days, was held in a large circus tent seating about 300. Following the “official” contest proceedings, I spoke to several contestants and asked them to stick around if they could, and play more tunes for our recorders. Several of them agreed, and were joined by a couple of spectators that had brought instruments. I’d read some books on collecting techniques, but I had folklorist DK Wilgus with me (originally from the University of Westyern KY, now of UCLA, one of the best!), and he demonstrated to me how to remind our “informants” (what people as music sources are called) of songs and tunes they might know with minimal mental nudges. A small crowd had gathered as we began our journey of discovery . . .

Art Cambers of Tennessee

Art Chambers








We both agreed that Art Chambers, a two-finger stylist on the five string banjo was a special gem among the people there. Art had accompanied Fiddlin’ Van Cunningham in the contest, and he was rarin’ to go to demonstrate some of his  banjo showpieces.


Art, originally from Tennessee, had joined the navy as a lad, and wound up stationed in Pearl Harbor in Hawaii for many years. A very musical guy, he’d listened closely to several fine Hawaiian musicians, and had worked up this next tune in their honor.


Art had a pleasant singing voice and put it to good use in this classic, then quickly added the notorious Cacklin’ Hen. Anyone spending any time around chickens will recognize them in this solo banjo showpiece.


Del Baker, of Bakersfield added his verions of the tune Jack Of Diamonds, AKA Rye Whiskey, a waltz in open A tuning (AEAC#). Dean Trammel accompanied him on guitar.



Dean Trammel, fiddle

Dean Trammel, fiddle
Peter Feldmann photo

Maiden’s Prayer, a fiddle showpiece popularized by Western Swing star Bob Wills, here performed by Dean Trammel, fiddle.



Art Chambers sings and plays Greenback Dollar (part of the East Virginina / Silver Dagger song family). He’s accompanied by Del Baker and Dean Trammel on fiddle and guitar. Someone, unfortunately, is stomping his foot here in a time signature known only to himself.



I believe Art called this number Cripple Creek, but it has an unusual front end to it.


By this time, it was getting near midnight in the circus tent. The man in charge of the oil heating device had turned it off, and temperatures were dropping rapidly (we were up in the mountains, and it was near the end of February.) The generator operator had graciously provided power for us, but it seemed time to go. DK and I thanked everyone for sticking around. We got phone numbers, and packed up our recorders. I was invited back by both Art Chambers and Van Cunningham for further visiting and recording sessions. As I find them, I’ll try to post highlights.

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About Peter Feldmann

Peter Feldmann has long been a musical mainstay in Santa Barbara and Southern California. Besides actively performing bluegrass and old time music with a variety of groups, Peter is also known as a bluegrass historian, collector, music consultant, teacher, and producer, both of live concerts and radio/tv programs throughout the area. His music has been heard in clubs, concerts, saloons, universities, pre-schools, at weddings, wakes, parties, barn-raisings, calf-ropings, rodeos, auctions, fund raisers, wine tastings and chili cook offs. Peter founded Santa Barbara's Old Time Fiddler's Convention (1972), UCSB's Old Time Music Front (1964), and The Bluebird Cafe (1971). Through these and other outlets, he was the first to bring many prominent folk, blues, and bluegrass artists, including Bill Monroe, Mance Lipscomb, The Stanley Brothers, The New Lost City Ramblers, Fred McDowell, Furry Lewis, Rose Maddox, the Balfa Brothers, and many others to the Santa Barbara area. Peter also helped others access the music by teaching privately, and in group classes for Santa Barbara Continuing Education, UCSB Extension, and McCabes Guitars. He was the first on the West Coast to produce and market instruction Lps - three on How To Play Country Fiddle, and one each on Clawhammer Banjo, and Maybelle Carter Style Guitar. He still presents lectures on country music history at UCSB, Santa Barbara area libraries, and for various interest groups, festival workshops, etc. In 2006, he presented his monograph titled "The Big bang Of Bluegrass Music" (describing the origins of bluegrass 1938 - 1946) to the worlds first International Music Symposium at the University of Kentucky at Bowling Green. He has also been very active in radio, television, and film work, producing weekly shows on country and bluegrass music over a 21 year period on various commercial and public stations. Peter currently maintains three music-related websites, a music blog, and an entertainment service company, "BlueGrass West!", based in the Santa Ynez Valley in Southern California. Peter performs tunes and songs from the heart of America's musical treasure chest. His shows can include fiddle, guitar, banjo, and mandolin. Well-known as a historian and teacher, Peter is first and foremost an entertainer, sharing his respect, energy and love for the music with his fellow musicians, friends, and audiences.
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